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First of all, if you don’t follow the title, you can read part one here — that will get you up to speed on this particular post. Because of new opportunities on the horizon,  I am rushing to complete many projects I have had on the back burner.

And my motivation for writing this ‘Part II’ is that many of my friends and colleagues have asked me how I completed ‘Dawn in Leonardville’ in such a timely fashion. Looking back, I am amazed that I was able to do it at all, and as quickly as I did. It was the biggest piece I have done to date, and I did it while I worked full-time.

I’ll just say this — setting a deadline with a financial boost for completion by that date helped a great deal. Also, FEAR of not hitting that deadline is a GREAT motivator as well.

This commission and the completion of another piece of mine has led to me landing a Solo Show this coming April, here in Chicago’s Wicker Park. With that ‘Plug’ for myself being said, I am going to be super busy in the next 8 weeks preparing for the Sunday, April 17 opening at People Tapas and Lounge, 7-10pm — if any of my loyal readers are in Chicago or want to plan to come up, any and all are welcome. I am planning on having a few new pieces up and pesky unfinished pieces completed for the show, including ‘King of Procrastination,’ which I have been tweaking for the past 12 years. In finishing it, I might implode into a wormhole vortex… maybe it would be a good idea do finish that later.

So Let me explain my approach to starting ‘Dawn in Leonardville,’ which was the title I thought of about one fourth of the way thru completing the piece. In part I, I mentioned that I convinced my Patrons who commissioned the piece that for shipping purposes and a variety of other reasons, executing the painting divided into 6 two-foot square canvases was the best approach. In my mind this was a logical, inexpensive and smart way to achieve their goal of an atmospheric art piece, the large size they desired, for what turns out to be a combination formal dining room and library.

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